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Title : Aliens vs Predator: Requiem Aliens vs Predator: Requiem genre : Fantasy, Action, Science Fiction, Thriller, Horror Aliens vs Predator: Requiem crew : David Giler, Jim Thomas, John Thomas, Walter Hill, John Davis, Dan O'Bannon, Ronald Shusett, Heike Brandstatter, Coreen Mayrs, Colin Strause Aliens vs Predator: Requiem release date : 5 August 19 0 0 Aliens vs Predator: Requiem runtime : 94 Minutes Aliens vs Predator: Requiem Crew : David Giler, Jim Thomas, John Thomas, Walter Hill, John Davis, Dan O'Bannon, Ronald Shusett, Heike Brandstatter, Coreen Mayrs, Colin Strause Aliens vs Predator: Requiem cast : Steven Pasquale, Reiko Aylesworth, John Ortiz, Johnny Lewis, Ariel Gade, Kristen Hager, Sam Trammell, Robert Joy, David Paetkau, Tom Woodruff Jr. ========================ஜ۩۞۩ஜ==========================
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The iconic creatures from two of the scariest film franchises in movie history wage their most brutal battle ever—in our own backyard. The small town of Gunnison, Colorado becomes a war zone between two of the deadliest extra-terrestrial life forms—the Alien and the Predator. When a Predator scout ship crash-lands in the hills outside the town, Alien Facehuggers and a hybrid Alien/Predator are released and begin to terrorize the town. Aliens vs Predator: Requiem 2007 review : Remember when chest busters were scary?
This stinks, it really does, and this coming from a man who owns and loves many a cheese filled B/Z movie. Although I would in no way say that AVP: Alien vs. Predator (2004) was a good movie, I have a tiny soft spot and found it watchable at least, this hack job makes that film seem like the pinnacle of creature feature nirvana.
A Predator ship encounters problems on board by way of a newly born predator/alien hybrid, it crash lands on Earth (America) and thus Requiem is born as face huggers go crazy, aliens run amok, predator fights back, and the cast of genre stereotypes kill or be killed, the end! All the makers have done here (apart from attempting to kill off the franchise it seems) is splice together various staples from the other films in the series. Be it the settings or confrontations, they have just upped the blood quota, the film has no substance what so ever. Characters so dense and unlikeable you root for the monsters by way of having no choice, dumb teens in angst, Rambo mom, ex-convict trying to do good, you name it and chances are you have seen it in other rubbish murder death kill movies.
There is gore galore which I'm sure will appease the easily pleased, and in one particularly monstrous scene involving a pregnant woman, a sequence for the squeamish to chat on the playground about come Monday morning. But you honestly would be better off watching some cheap no budget slasher film from the 70s, because unlike the money backed hack directors here, they had an excuse back then. Drek 1/10 Out of all the _Alien_ and _Predator_ franchise, a series stretching out for nearly 40 years, a cultural phenomenon that has wormed its way into all manner of media, and has produced no less than eleven official movie entries, _Aliens vs Predator: Requiem_ is the worst. It's so blatantly obviously the worst that I don't think any _Alien_ or _Predator_ or even _Alien vs Predator_ movie that we ever see from now until the end of time will ever unseat it as the worst.
_Final rating:★½: - Boring/disappointing. Avoid where possible._
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Title : War Horse War Horse genre : Drama, War, Action War Horse crew : John Williams, Lee Hall, Jina Jay, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Janusz Kamiński, Michael Kahn, Rick Carter, Joanna Johnston War Horse release date : 17 November 19 3 2 War Horse runtime : 146 Minutes War Horse Crew : John Williams, Lee Hall, Jina Jay, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Janusz Kamiński, Michael Kahn, Rick Carter, Joanna Johnston War Horse cast : Jeremy Irvine, Tom Hiddleston, Benedict Cumberbatch, Toby Kebbell, Emily Watson, David Thewlis, Peter Mullan, David Kross, Nicolas Bro, Eddie Marsan ========================ஜ۩۞۩ஜ==========================
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Follows a young man named Albert and his horse, Joey, and how their bond is broken when Joey is sold to the cavalry and sent to the trenches of World War One. Despite being too young to enlist, Albert heads to France to save his friend. War Horse 2011 review : A too long story of a horse in times of WW I and its relationship with a young brit and some other characters in the way.
Too childish but another family movie from Spielberg in the tradition of E.T. and the like. I absolutely understand why _War Horse_ got the highbrow attention that it did, but I did not find it satisfying on a personal level.
Final rating:★★ - Definitely not for me, but I sort of get the appeal.
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Title : Marriage Story Marriage Story genre : Drama Marriage Story crew : Francine Maisler, Noah Baumbach, Noah Baumbach, Noah Baumbach, Douglas Aibel, Kathy Driscoll, Randy Newman, Randy Newman, David Heyman, Goro Koyama Marriage Story release date : 29 March 19 4 5 Marriage Story runtime : 137 Minutes Marriage Story Crew : Francine Maisler, Noah Baumbach, Noah Baumbach, Noah Baumbach, Douglas Aibel, Kathy Driscoll, Randy Newman, Randy Newman, David Heyman, Goro Koyama Marriage Story movie cast : Adam Driver, Scarlett Johansson, Laura Dern, Alan Alda, Ray Liotta, Julie Hagerty, Merritt Wever, Azhy Robertson, Wallace Shawn, Martha Kelly ========================ஜ۩۞۩ஜ==========================
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A stage director and an actress struggle through a grueling, coast-to-coast divorce that pushes them to their personal extremes. Marriage Story 2019 review : I wish so badly I could separate the art from the artist, and this is the only reason I cannot give ‘Marriage Story’ the five stars it actually deserves. My own issues with Baumbach aside, however, and it’s shocking to me that a film so simple can be so nearly flawless (I mean this technically too; the film is shot, edited, paced and scored beautifully). Despite how much I cried, it finds beauty and comedy in the tiniest of moments. It’s an ugly portrait of two flawed people and therefore never easy to watch, but it is one of the most rewarding experiences I have had with a film in years. I just hope I never have to experience it myself. - Ashley Teresa
Read Ashley's full article... https://www.maketheswitch.com.au/article/review-marriage-story-simply-extraordinary If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com
I don't even know how to start this review… Marriage Story is one of those movies that stays with me long after I've finished it. I've been thinking about it a lot, and it's undoubtedly one of the most realistic dramas I've ever seen. That's due to the award-worthy performances of Adam Driver (Charlie Barber) and Scarlett Johansson (Nicole Barber), but also because of Noah Baumbach's incredibly layered screenplay. In addition to this, Baumbach is undeniably one of the best directors of the year. With the help of his DP, Robbie Ryan, he sets the platform for Driver and Johansson to shine as the astonishing actors that they are.
Some people watch films to forget their daily issues. Some just want to have fun. Some want to learn more about a particular true story. However, there's not a single person alive who wants to watch a movie and not be able to leave the theater (or, in this case, their couch) entertained. Marriage Story has such an emotionally complicated premise that it's tough to convince people to sit and watch. I mean, who wants to watch a divorce develop throughout more than two hours? Who wants to watch two people who were once in love with each other become the worst of themselves? Yelling, fighting, court, custody, lawyers… It's not exactly an attention-grabber.
I imagine people who went through the same situation getting triggered and remember a phase of their lives that was probably one of their worst. I'm writing this because I've seen some negativity towards people who simply don't want to watch Baumbach's depiction of a depressing event. It's perfectly understandable if anyone decides to skip this one, especially if it hits too close to home. In my case, I've never gone through a divorce (hopefully, I'll never will), and usually I can "enjoy" this type of sad, frustrating, bittersweet films (Manchester by the Sea, A Ghost Story) for what they are, no matter how tragic.
If I had to choose one-word praise: realistic. There's no way around it. The palpable emotions are the main reason why this story works so well. Only people who have never been in a relationship of any kind can't understand the moment when a fight starts to escalate, and the couple begins to say terrible stuff at each other that they don't exactly mean. The exaggeration and over-the-top arguments are part of every couple's life. They can occur due to a hundred reasons related to stress, work, accumulation of little things, or simply because it's just not a good day.
Marriage Story doesn’t deliver a hopeful message or a sweet story because that’s not what divorces are. It’s not difficult to imagine how hard it is to separate yourself from the person you love(d) for years without end, even more when there’s a kid involved in the process. Baumbach could have followed the genre cliches and provide moments of pure happiness, but that’s not something that happens during a situation like this. It’s a heart-wrenching phase to live through, and I believe that this movie is going to be thoroughly analyzed in film school in the next decade or so.
THE scene with Driver and Johansson going at each other exponentially harder and heavier criticism-wise is one of the most emotionally powerful dialogues of the millennium. The raw emotion and the physical movements that both actors can bring into the fight are absurdly impressive. Their chemistry is so inexplicably real. I never, not even for a single second, thought that I was watching fictional characters. Nicole and Charlie can very well be our neighbors or part of our family. Baumbach's use of long takes really elevate every single sequence, allowing the protagonists to move around the set and actually act.
Technically, there's no better acting this year than what Driver and Johansson deliver. Both are always moving and doing a lot of things while giving their lines. Making dinner, drinking tea, going to the bathroom, chopping a carrot, blowing their nose, standing up, sitting down, walking around the room, crying, smiling, laughing… All of this in a single take! Several times!! Scarlett shows more emotion throughout the runtime than her counterpart, but Adam proves why he's the frontrunner at the 2019's Oscars. His restraint when Charlie is trying to be polite even though he's mad, or his explosive behavior when his character decides to finally let go (excellent build-up), are some of the attributes that make his performance my favorite of the year.
Not trying to diminish Johansson's display. Both deliver career-best performances, in my opinion. Both deserve every award that exists. The supporting cast is also impeccable, and I know that Laura Dern (Nora Fanshaw) is probably going to be nominated. Still, the two leads are so engaging and captivating that I couldn't be impressed with anyone else. The only person to rise to the main actors' level is Noah Baumbach himself. With the best screenplay of 2019, he offers the audience an incredibly complex story, filled with subtle details and exceptional dialogue.
He controls the movie's pacing beautifully, and he knows the right moments to insert a little joke to lighten up the dark, depressing mood. My only issue with the film has to do with its replay value. We all have been through this situation: watching a fantastic movie, only once, and never again. Marriage Story is going to be one of those films for me. I love everything about it, but I know the chances of a rewatch are very, very small. It's a profoundly unsettling story, super uncomfortable at times, and I really don't want to go through the sadness and frustration all over again.
All in all, Noah Baumbach delivers what I believe to be its career-best flick, Marriage Story. With the best screenplay of 2019, as well as one the best directions, this is the closest the world is ever going to get to a realistic depiction of a divorce. Scarlett Johansson and Adam Driver also give the best performances of their lives, elevating every single scene, dialogue, argument, or joke. The long takes allow them to shine and actually work as actors, moving around the set and doing domestic/job tasks, while delivering their lines. Technically, both Baumbach and the entire cast are absolutely perfect. It's an extremely emotional narrative, very depressing, sad, and even uncomfortable at times, which might scare some people off, especially if they've been through this. Despite its replay value being affected (a rewatch is very unlikely), it's a phenomenal lesson in storytelling that stays with us long after it's finished. Easily, one of the best movies of 2019. Don't miss it, and try not to cry.
Rating: A This movie is a thoroughly humane and sensitive portrayal of the painful process that is "divorce". Noah Baumbach, who himself had a divorce with actress Jennifer Jason Leigh, seems to have drawn from his own life experiences for this film. The characters are all balanced and multilayered; the acting of the leads, specially Johansson and Driver, lend a particular personality to their characters. Everyone plays their role to the perfection, even the supporting cast including Laura Dern, Alan Alda, and the criminally underused Merritt Wever. This movie shows how a process as messy as divorce turns two people who love and respect each other into one wishing death on the other. No, they are not bad people , they are just people under "bad" circumstances, and Marriage story drives that point home. Overall: a brilliant movie, and a great way to end the year. I don't have a kid. I've never been divorced. Or even married. Though I guess I was once a kid myself, I'm not the product of a divorced couple. I'm not even the product of a married one. Everyone I know who has gotten married or had kids did it before I met them, or stopped hanging out with me almost immediately afterward. Everyone I've ever met who got divorced either did it before I met them, or is someone I stopped hanging out with beforehand. So I don't come to the subject of _Marriage Story_ with a wealth of experience, which means it doesn't exactly scream "relatable content" to me.
Let me start where it's easiest and everyone seems to agree: The performances. Everyone in _Marriage Story_ is pretty great, none of the characterisations changed my life, but I get it. As a chance to display what these actors are capable of in a mundane setting where all that matters is their performance, yes, absolutely, _Marriage Story_ has buckets of success.
Outside of this though... I'm not even going to say that it "fails" elsewhere, just that it didn't win me. I like bleak movies, I like movies that make me feel something, even if it's sad. But _Marriage Story_ isn't really that. It poses you the question of whether both Charlie and Nicole are good or bad people, and shows you each from their own and other's perspective. The ending seems to imply that they're good, or at the very least both good and bad (and aren't we all?) but that really doesn't matter very much when we just spent all this time watching both of them be horrible. I know that's life, that's real, that's people, and blah bl-blah bl-blah, but that's little consolation when I've just spent two-plus hours of my life being not at all compelled by a bunch of people being awful. Being awful convincingly, to the actors' respective credits, but in this setting that is not my idea of a good time at the movies.
46%
-Gimly “I never really came alive for myself; I was only feeding his aliveness.”
I’ve said some harsh things about Netflix movies in the past, but recently I’m starting to warm up to them.
‘Marriage Story’ was absolutely excellent. A devastating portrayal of divorce that can bring out the ugly in people, especially with child custody. But it’s not all doom and gloom. It’s incredibly heartfelt with plenty of humorous moments. I guess you have to find the comedy during the difficulties in life. Lets just say my cheeks wasn’t dry afterwards.
And yes, I wept.
Adam Driver and Scarlett Johansson both gave masterclass performances. And I do mean some power house acting. Driver plays Charlie, a competitive and undaunted theater director that he is very clear about what he wants. Johansson plays Nicole, a mother who’s a delightful presence and loves to play, but is also a dedicated actor. This is the best I’ve seen from Johnasson. Her character delivers a monologue where she’s explains the issues in her life that’s all shot in one take, which brilliantly displays her acting chops where she naturally shifts from emotion to emotion - it was impeccable.
The supporting cast were all fantastic. Lauren Dern, Ray Liotta, Merritt Wever, Julie Hagerty, and Alan Alda were all brilliant and really bounce off the energy from Driver and Johansson. Even the child actor held his own between these juggernauts of actors.
Not only are the performances the strongest element of the movie, but so is the writing. Every character is so uniquely fleshed out that the conflict feels so incredibly raw. It’s one of the reasons why I was so glued to the movie from start to finish. One of the best screenplays of the year.
This is the first Noah Baumbach movie I’ve seen from him and I am aware of his other work, just haven’t got around to watching them. However, I feel like this was the best introduction to him as a director, because he crafted such a sympathetic look on marriage dissolving away. We don’t see the full relationship, but we do get to hear Nicole and Charlie individually describe what their love about each other, while there’s a montage that flash’s through their routine life together with their son. Nothing visually striking in the presentation, but not once did it feel stale.
The score from Randy Newman was terrific and fitted wonderfully with the movie. I loved the aspect ratio as it added a lot to the overall mood of the movie. When the two go head to head in the custody battle - that doesn't mean they’re enemies. They still talk to each other as if they are still a thing. It’s also hard to pick aside, because you understand where each of them are coming from, and even if you do choose, you still feel bad for either one.
Overall rating: Any other relationship movie ain't sh*t compared to this. Very well acted and bittersweet for sure, this is a movie that didn't really touch me deeply, mainly because didn't grow up in a split family or ever been married or have kids, so this I'm sure speaks to those with those kind of experiences. Still, can appreciate the performances from both Scarlet Johansson and Adam Driver, proving once more how great actors they are and more than their respective blockbuster franchises. **4.0/5**
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Title : Shirley Shirley genre : Drama, Thriller, Mystery Shirley crew : Martin Scorsese, Christine Vachon, Kerry Barden, Alisa Tager, Paul Schnee, Sue Chan, Leslie Shatz, Elisabeth Moss, Mark DeSimone, Simon Horsman Shirley release date : 10 November 19 6 8 Shirley runtime : 107 Minutes Shirley Crew : Martin Scorsese, Christine Vachon, Kerry Barden, Alisa Tager, Paul Schnee, Sue Chan, Leslie Shatz, Elisabeth Moss, Mark DeSimone, Simon Horsman Shirley movie cast : Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman, Victoria Pedretti, Robert Wuhl, Paul O'Brien, Orlagh Cassidy, Bisserat Tseggai, Allen McCullough ========================ஜ۩۞۩ஜ==========================
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A famous horror writer finds inspiration for her next book after she and her husband take in a young couple. Shirley 2020 review : If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com
This was a pretty unusual experience due to the knowledge I possessed before watching this movie. It's the first flick I see from Josephine Decker. Sarah Gubbins has her feature film debut as a screenwriter, so obviously, she's new to me as well. However, the most significant detail is that I didn't know a single thing about Shirley. I had no idea about its plot or even what genre did it belong to, and (like with every other movie) I didn't watch a single trailer. Elisabeth Moss (The Handmaid's Tale, The Invisible Man) was the only reason I added this film to my list a few months ago.
I had no idea Shirley was an actual biopic of the real-life horror writer, Shirley Jackson, not even by the end of the movie... and this is the biggest compliment I have to give. It doesn't feel like a biopic because it breaks every barrier set by the genre's limitations. It isn't filmed (DP: Sturla Brandth Grøvlen) like a biopic. It isn't edited (David Barker) like a biopic. Its screenplay isn't similar to one of a biopic. Even the score (Tamar-kali) is far from being a biopic standard. Conclusion: by going blind into this film, it's near impossible to label Shirley as a regular biopic.
How is this a good thing? Well, from the very first scene, the uneasy atmosphere is exceptionally established through Odessa Young's character, Rose Nemser. The latter seems like any other 1950's "wifey", but in her first appearance, she shows that her true self is hiding beneath the well-behaved, well-educated persona. It's hard not to feel enthralled by the weird, intriguing, sometimes creepy interactions between the four main characters. The rough editing helps generate a certain level of discomfort like something doesn't feel quite right. Shirley and Rose's relationship contributes to the strange vibe that permeates the movie.
Shirley is isolated from society and refuses to go outside. Her books are filled with disgusting, thought-provoking, horrific stories that people love to read. But these are the same people who assume how she must be like in order to be able to write such twisted stories. Rose has more in common with Shirley than what their personal book covers may indicate, and these two carry the narrative in a quite captivating, emotional manner. The former is the central character, the one that goes through the biggest development. The latter doesn't change who she is, but gradually shows a different, more vulnerable side, as the (brilliant) last shot of the film (one long uninterrupted take) proves.
Elisabeth Moss was already in contention for several nominations due to her outstanding performance in her previous movie, but with Shirley, she makes sure she doesn't go unnoticed in 2020. Moss has such an incredible range of emotions and expressions that make her shine every time a multi-layered character is handed to her. However, Odessa Young is the surprise here, what a breakthrough! Excellent performance from her, definitely one to keep our eyes on for the next few years. Michael Stuhlbarg is phenomenal by interpreting Stanley, a man who can be sweet and kind as easy as he can be threatening and scary.
It's a film that warrants more than one viewing. Not only due to the perplexing narrative that mixes up Shirley's imagination (there are constant flashes of her visualizing what she's writing) with the real-life story, but also because the characters' relationships are not that simple to understand. All of this can either be looked at as a positive or negative aspect. On one hand, I was always interested and focused on understanding everything related to the story and its characters. On the other hand, the movie can feel aimless during the first half of the runtime.
Undoubtedly very intriguing filmmaking. Josephine Decker delivers an auteur piece (for which she already received an award) that might polarize the general audience due to her remarkably unique biographical work. However, for someone who didn't know anything about the film going in, that first half that I mention above can be really difficult to analyze. Eventually, everything receives their respective explanation, some more efficient than others, but the path to get there isn't linear or smooth in any way, shape, or form.
Also, Logan Lerman's character, Fred Nemser, feels left out compared to the other house residents, and his arc is probably the most predictable and least exciting part of the movie. Technically, each component is as unique as each other. From the editing to the cinematography, passing through the score and the production and set design. Everything elevates Sarah Gubbins' screenplay and Decker's directing in a way that never stops being entertaining and extremely satisfactory for any cinephile.
In the end, Shirley is undoubtedly an auteur film from Josephine Decker, who delivers a remarkably unique biopic that breaks every limitation imposed by the genre. By going in blind, Sarah Gubbins' screenplay may feel strange and aimless throughout the first half, but the intriguing relationships between the main characters and the weirdly captivating narrative are more than enough to create a creepy yet engaging atmosphere. The interactions between Elisabeth Moss, Odessa Young, and Michael Stuhlbarg are as fascinating as their characters, especially Odessa's. All actors are terrific, but Moss guarantees that she doesn't go unnoticed this year, and Young will certainly be in talks for the year's breakthrough performance. Technically, the score is definitely a whole other character, incredibly impactful sound design. On one hand, the shaky cinematography and the rough editing help create the uneasy environment of the house, but on the other hand, they might feel a bit too disorienting and uncomfortable. It's hard to recommend this movie. If you're a fan of Shirley Jackson, this is her biopic, even if it doesn't look like one (the greatest compliment I can give the film). If you value technical aspects, Shirley has a lot to love. However, if you don't belong to one of these two groups, I can't recommend it without first offering a warning that it just might not work for you...
Rating: B+ My expectations for 'Shirley' were probably as high as for any film this year, and those expectations were well-invested. Josephine Decker has delivered a film far better than any biopic could have been. Not only does it celebrate everything incredible about Shirley Jackson's work, it amplifies our understanding of it and why it continues to haunt us, whisper to us, send shivers down the back of our necks. 'Shirley' is an unsettling portrait of the existential and primal horror of the suburban prison women are forced into, guarded by monstrous men demanding they play by the rules and willing to discard and destroy when their use is past or they have sucked them dry of everything they need for them, a prison where madness is not just damnation but possible liberation. It is pure Shirley Jackson and yet entirely a work of its own, with its own unique power and voice. 'Shirley' is one of the best films of the year so far, and one that you'll feel watching you just beyond your periphery long after it is over. - Daniel Lammin
Read Daniel's full article... https://www.maketheswitch.com.au/article/review-shirley-a-hypnotic-dreamscape-of-one-of-the-greatest-writers-of-all-time
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Phil's new phone comes with an unexpected feature, Jexi...an A.I. determined to keep him all to herself in a comedy about what can happen when you love your phone more than all else. Jexi 2019 review : Okay, this movie is not very subtle and does not have a lot of depth to it, but I enjoyed it. It is a broad satire of modern life: of social media and people who are so reliant on and staring at their smart phones. We have all seen these people - heck - at least some of the time we all ARE these people! Well, they are on full display here in a satirical way. We might find that some of the humor hits a tad too close to home, but we should be able to laugh at ourselves in these stressful times..
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This is basically "Her" if Scarlett Johansson was an insane, jealous A.I. written for an audience to laugh at Adam Devine's misfortunes.
This is definitely an abuse humor story about a socially awkward guy, so the movie tends to whip rapidly between awkward cringe humor that wouldn't occur in life ever, just grossly gratuitous abuse, and moments of positive growth.
While the story of a guy meeting a girl and overcoming personal adversity is decent, it's not in the focus nor entertaining enough to be the movie.
What really makes this movie is treating Jexi like a real character, a rampant A.I. manipulating whatever she can reach from the world.
There are a lot of moments in this that are written out of context, they literally could have happened anywhere during the movie, almost like they were written sketches, but they're funny enough you may not notice.
It's an awkward movie, but it has a plethora of good things going for it, and is a deceptively deep movie.
