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Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts
Dragonball Evolution movie showtimes online stream download ->1080p<- 2009 where can i watch Dragonball Evolution, Dragonball Evolution 2009 movie uhd online english sub download Dragonball Evolution full movie hd dvd download 720p 2009 streaming full watch Dragonball Evolution dvd movie streaming full online box office 2009 full movie 4k uhd putlocker 4k watch Dragonball Evolution box office 2009 online Dragonball Evolution 2009 full movie 4k uhd Dragonball Evolution streaming: where to watch movie online? Dragonball Evolution imdb movie online streaming Dragonball Evolution full movie eng 2009 The legend comes to life. BoxOFFICE-How to Watch Dragonball Evolution Online [Putlock3r]Dragonball Evolution!(2009) Full Movie Watch online Watch Hollywood blockbusters favourites and arthouse flicks from around the world. Browse our movie collection and find something to watch tonight
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Title : Dragonball Evolution Dragonball Evolution genre : Action, Adventure, Fantasy, Science Fiction, Thriller Dragonball Evolution crew : John Papsidera, Bruton Jones, Brian Tyler, Marco Niro, Carla Hool, Mayes C. Rubeo, Roberto Bonelli, Bruce Crone, Matt Friedman, James Wong Dragonball Evolution release date : 20 August 19 8 8 Dragonball Evolution runtime : 85 Minutes Dragonball Evolution Crew : John Papsidera, Bruton Jones, Brian Tyler, Marco Niro, Carla Hool, Mayes C. Rubeo, Roberto Bonelli, Bruce Crone, Matt Friedman, James Wong Dragonball Evolution cast : Justin Chatwin, Chow Yun-Fat, Joon Park, Jamie Chung, Emmy Rossum, James Marsters, Randall Duk Kim, Ernie Hudson, Texas Battle, Shavon Kirksey ========================ஜ۩۞۩ஜ==========================
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The young warrior Son Goku sets out on a quest, racing against time and the vengeful King Piccolo, to collect a set of seven magical orbs that will grant their wielder unlimited power. Dragonball Evolution 2009 review :
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War for the Planet of the Apes movie synopsis War for the Planet of the Apes the movie 2017 showtimes online 4k War for the Planet of the Apes song, Watch War for the Planet of the Apes full movie online now.Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.,what are War for the Planet of the Apes movies in order War for the Planet of the Apes synopsis full movie War for the Planet of the Apes 2017 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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Title : War for the Planet of the Apes War for the Planet of the Apes genre : Drama, Science Fiction, War War for the Planet of the Apes crew : Debra Zane, William Hoy, Heike Brandstatter, Coreen Mayrs, Michael Seresin, James Chinlund, Pierre Boulle, John Stoneham Jr., Michael Giacchino, Mark Bomback War for the Planet of the Apes release date : 9 April 19 6 6 War for the Planet of the Apes runtime : 140 Minutes War for the Planet of the Apes Crew : Debra Zane, William Hoy, Heike Brandstatter, Coreen Mayrs, Michael Seresin, James Chinlund, Pierre Boulle, John Stoneham Jr., Michael Giacchino, Mark Bomback War for the Planet of the Apes movie cast : Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Michael Adamthwaite, Ty Olsson, Terry Notary, Toby Kebbell, Judy Greer, Sara Canning ========================ஜ۩۞۩ஜ==========================
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Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet. War for the Planet of the Apes 2017 review : Excellent trilogy
Most Hollywood remakes/reboots are failed cash grabs. They are pale imitations of the superior originals. But the new Planet of the Apes trilogy surprises in that it trumps all the previous Apes films--those from the 60's and 70's as well as the Tim Burton 2001 misfire. Caesar still leads the intelligent apes against the human forces who want to eradicate them. Caesar even shows mercy to some of his human captives, but the humans who fear the apes will not relent in their attempts to destroy them. The movie is driven largely by Andy Serkis's superb portrayal of Caesar. He is a complex and intriguing character. Woody Harrelson is also very good as the villain. His character is no generic, stock bad guy. He's layered and you may even surprisingly feel some sympathy for him. A great and thought provoking popcorn flick. On this movie I have to get a couple of things out of the way straight away.
First, the movie title and the blurb is hyperbole that has little to do with actual events in the movie. This is not some great war but just some silly little three way skirmish between some apes and two human factions.
Second, the story for this movie is clearly written by someone who has an agenda and that agenda includes preaching how bad the white man is. Not surprisingly the result is bland, boring, frustrating and not very entertaining.
I thought Dawn of the Planet of the Apes was mildly entertaining. Mostly due to the special effects. I thought Rise of the Planet of the Apes was okay. Again due to the special effects and because it had a fair amount of action. War for the Planet of the Apes do have decent special effects but nothing else. Add the obvious political agenda and the movie goes straight into a nose dive.
The humans in the movie are stereotypical bad people and the apes are victims whether they are actually good apes or just asshole apes. There’s some decent action in the beginning and some at the end. In between we are “treated” to a slew of emotional scenes (or at least I suppose that’s what they were supposed to be) were Ceasars grief and the evil of man are force fed down our throats.
Not surprisingly the movie ends, which it of course do not do until all humans in sight are killed off for no good reason, with the apes finding their little part of heaven all shown in warm and rosy colors. Close curtain…thank good!
I was not expecting much from this movie but this was a typical Hollywood-with-an-agenda-movie. That is, not a good movie as far as I am concerned. The title _War for the Planet of the Apes_ is perhaps a misnomer, and it doesn't necessarily build the legend in the way I was expecting it to, but a worthy threequel it still makes, and blockbuster trilogy with no bad entries is a rare thing to see.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
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AVP: Alien vs. Predator movie synopsis AVP: Alien vs. Predator the movie 2004 showtimes online streaming uhd AVP: Alien vs. Predator song, Watch AVP: Alien vs. Predator full movie online now.When scientists discover something in the Arctic that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race.,what are AVP: Alien vs. Predator movies in order AVP: Alien vs. Predator synopsis full movie AVP: Alien vs. Predator 2004 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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Title : AVP: Alien vs. Predator AVP: Alien vs. Predator genre : Adventure, Science Fiction, Action, Horror AVP: Alien vs. Predator crew : Paul W. S. Anderson, Paul W. S. Anderson, Magali Guidasci, David Giler, Jim Thomas, John Thomas, Walter Hill, Alexander Berner, John Davis, Mark Egerton AVP: Alien vs. Predator release date : 8 December 19 0 5 AVP: Alien vs. Predator runtime : 101 Minutes AVP: Alien vs. Predator Crew : Paul W. S. Anderson, Paul W. S. Anderson, Magali Guidasci, David Giler, Jim Thomas, John Thomas, Walter Hill, Alexander Berner, John Davis, Mark Egerton AVP: Alien vs. Predator movie cast : Sanaa Lathan, Raoul Bova, Lance Henriksen, Ewen Bremner, Colin Salmon, Tommy Flanagan, Joseph Rye, Agathe de La Boulaye, Carsten Norgaard, Sam Troughton ========================ஜ۩۞۩ஜ==========================
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When scientists discover something in the Arctic that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race. AVP: Alien vs. Predator 2004 review : Monstrous - but not a total monstrosity.
Antartica, and an expedition is about to uncover a battleground for Aliens and Predators.
Whoever wins, we lose! So ran the tag line for Paul W. S. Anderson's prequel (?) to two fanatically worshipped franchises. Little was Anderson to know that it was the majority of cinema goers who would feel that they had "lost" their cash on coming out after watching this miss-matched effort. Though in truth nobody could seriously have expected a film to rival the best of both serials (Alien, Aliens & Predator), it's still right that us fans should expect the formula to be respectfully adhered too. We want character build up, we expect a group dynamic to function, and we definitely want the baddies to stay just that, as baddies.
It's not a total loss, though, even as Anderson all too quickly hurtles towards his "humans caught in a cube like puzzle box" blood bath, there is just enough back story and anticipation to tickle the tongue. In fact, when it all goes pear shaped and Xenomorphs, Pred-Rastas and humans are all lined up for slotting, it's damn near exciting stuff. While the pyramid/cube/maze design is pretty awesome. However, then the plus points are vanquished as the film quickly becomes kiddie friendly as gloop gives way to strawberry jelly, featuring a turn of events with our "heroine" that's so clumsy I'd be surprised if Anderson sleeps at night.
Still, it's obvious that Anderson loves both franchises and he in no way would have wanted to make a stinker. But he has made a very average movie, one that's got two things in its favour. One being that is the neat middle section, the other that it's not half as bad as the messy hack job that was AVPR: Aliens vs Predator - Requiem in 2007. 5/10 I can honestly say, that this is one of the most under-rated films of 2004.
Not because it was good, just because it was panned so fucking hard by critics! I think this is mostly due to the fact that it was being compared to both the Alien and Predator series, which is fair enough, but it was never going to be what either of those films was.
Ultimately it's downfall came from some poor dialogue, and trying to reach a larger audience. Where Predators was a film that you didn't need to have watched all the others in order to follow, it was still fundamentally a Predator film, aimed at the Predator-loving market. AVP on the other hand used references to the older films, but then completely threw the canon out the window and went for a larger fanbase. And whilst it worked to some degree (my grandma liked it) it wasn't enough of a step in either direction. AVP was complicated as a stand alone, and disastrous when compared to anything else in the franchise except perhaps its sequel Requiem (and maybe Predator 2 or Alien3).
Honestly I think the film works as an archetypal film in the realm of both Alien and Predator, just not a sequel or prequel to either. The lead protagonist is a woman by the name of Alexa Woods, portayed by Sanaa Lathan (Blade, Contagion) who was clearly meant to be a modern day Ripley, and catastrophically failed at doing so. The Predators were as cool as ever, and people complained that in the latter half of the film they weren't as ghostly as in Predator/Predator 2, but we've already had two whole films of that, and these were juvenile Predators, so it sort of made sense that they were a tad more restless.
Bringing Lance Henriksen (Damien: Omen II, Piranha II: The Spawning, The Terminator, Aliens, Alien 3, Pumpkinhead, The Quick and the Dead, Mind Ripper, Scream 3, The Lost Tribe) back was an awesome decision, one that was probably lost on the audience who had not seen the Alien series.
Tommy Flanagan (Smokin' Aces 1 and 2, Sin City, When a Stranger Calls [2006], Gladiator, Braveheart) is another an actor I love, it was a shame his character (Mark Verheiden) was so underused. Ultimately, the film is a good one to pick up and put down, don't think about it too much, don't compare it to the others, go in with your only expectation being that it's a monster-movie, then you won't come out too disappointed.
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Title : Spider-Man: Into the Spider-Verse 2 Spider-Man: Into the Spider-Verse 2 genre : Animation, Action, Science Fiction, Comedy, Adventure Spider-Man: Into the Spider-Verse 2 crew : Dave Callaham, Phil Lord, Joaquim Dos Santos, Christopher Miller, Amy Pascal Spider-Man: Into the Spider-Verse 2 release date : 18 August 19 0 3 Spider-Man: Into the Spider-Verse 2 runtime : Spider-Man: Into the Spider-Verse 2 Crew : Dave Callaham, Phil Lord, Joaquim Dos Santos, Christopher Miller, Amy Pascal Spider-Man: Into the Spider-Verse 2 movie cast : Shameik Moore, Hailee Steinfeld, Oscar Isaac ========================ஜ۩۞۩ஜ==========================
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The continuing story of Miles Morales and the many other Spider-People from different realities. Spider-Man: Into the Spider-Verse 2 2022 review :
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Title : Ghost in the Shell Ghost in the Shell genre : Science Fiction, Action Ghost in the Shell crew : Clint Mansell, Avi Arad, Ehren Kruger, Richard L. Johnson, Brad Ricker, Leslee Feldman, Mitsuhisa Ishikawa, Patrick Loungway, Per Hallberg, Steven Paul Ghost in the Shell release date : 5 October 19 0 4 Ghost in the Shell runtime : 107 Minutes Ghost in the Shell Crew : Clint Mansell, Avi Arad, Ehren Kruger, Richard L. Johnson, Brad Ricker, Leslee Feldman, Mitsuhisa Ishikawa, Patrick Loungway, Per Hallberg, Steven Paul Ghost in the Shell movie cast : Scarlett Johansson, Takeshi Kitano, Michael Pitt, Pilou Asbæk, Ng Chin Han, Juliette Binoche, Peter Ferdinando, Rila Fukushima, Daniel Henshall, Yutaka Izumihara ========================ஜ۩۞۩ஜ==========================
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In the near future, Major is the first of her kind: a human saved from a terrible crash, then cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals. Ghost in the Shell 2017 review : I am writing this review as someone who hasn't seen the original anime. I have also been very critical of the whitewashing of this film. With that I aside, I went to see it with willingness to give it the benefit of the doubt. "Ghost in the Shell" is well...a beautiful shell.
The visuals were absolutely breath taking. The action scenes flowed so beautifully with special effects. But that's all the movie had to offer. Take away the spectacles and you have a basic run-of-the-mill action movie.
The acting was fine. But honestly, the leads didn't have anything to actually sink their teeth into. Scarjo, and everyone else, was serviceable.
If you're looking for some mindless, yet stunning entertainment, then go see it. I've watched Ghost in the Shell at the cinema 3 days ago, knowing beforehand about the controversies that have surrounded this movie for the last 6 months or so. Science fiction movies are probably my favorite genre and I also enjoyed most of Scarlett's movies for the past 8-9 years so those two factors were a plus for me going in.
Regarding the whitewashing business, I think its been blown way, WAY out of proportion by social justice warriors with nothing better to do than drag media attention over whatever they're feeling insecure about this month/year. For those of you who might be on the fence about watching a Caucasian actress in the role that (supposedly) should've been reserved to an Asian actress, please consider this a NON-MATTER and watch it anyway. The character she is portraying is SUPPOSED to look Caucasian/white. It was the same in the source material and even the creator of that anime said so in interviews.
Now, is the movie any good? In my opinion, yes. Yes it was. It wasn't amazing but at the very least entertaining. There is a good amount of people who score this a 1/10 because they are butt hurt that the story was changed a lot. Please ignore them and see for yourself even if you're a fan of the anime and are able to keep an open mind. I think maybe I was able to judge it more objectively because I had zero knowledge about the story in the anime going in, but, if nothing else, the movie actually made me want to watch those old ones to compare.
The acting - 7.5/10 - Since Scarlett Johansson is the only big name that the movie is being marketed alongside, I'd say she did a good job. At no point in the movie could I say she didn't belong there. She played the part of cyborg who had difficulty belonging in a human world very well. The cast is diverse enough in my opinion, though some of them get pretty little screen time.
The visuals - 9/10 - If there is one point most critics/viewers are in alignment concerning this movie, that point is definitely the visuals. The movie both looks and feels spectacular, with the futuristic city looking like a close-future mix of Blade Runner and TRON. The combination of CGI and practical effects looks organic, the movie's powerful themes of excessive self-augmentation and technology almost running amok represented very well visually.
Soundtrack - 8/10 - Sometimes pretty subdued, sometimes almost-but-not-quite in your face, I found the soundtrack to vary between decent and very good in some moments. It didn't MAKE the movie but it enhanced a good deal in my opinion.
Story - 7/10 - Here is where the good points of the movie kinda start to run dry. A lot of other people would probably rate it a lot lower, with 5 or 4's if they're at least trying to be objective. Yes, the story is fairly predictable, and the fact that the movie is only around 100 minutes long doesn't do it any favors either. Here is probably where most of the legitimate hate towards this movie stems from. The creators adapted a story that had a lot more depth and philosophical insight and turned it into a somewhat generic cyborg coming of age story mixed with an evil corporation doing questionable things. The villain is also very cookie-cutter and has almost zero depth. HOWEVER, I do think that concerning this film's particular themes and narrative, a weak villain doesn't hurt it so much since its more about losing/gaining your humanity through technology than any bad guy trying to shoot you.
Writing/Dialogue - 6/10 - By far the movie's weakest aspect. In fact, I believe if some more meaningful dialogue and character interactions were written into this film, it could've easily been 1 or 2 points higher on anyone's scoring system. As it is, the dialogue is shallow and fairly run-of-the-mill for about half the movie's length. Some bits of good interactions are sprinkled here and there, and thankfully that's enough to preserve the soul of the movie's central theme of human souls surviving in machine bodies, BUT not enough to give Ghost in the Shell the depth it should've inherited from the source material.
Overall - I gave this movie 3.5/5 stars here, mostly because I couldn't give it a 7.5/10 which felt more appropriate to me. My advice would be to not listen to the whitewashing nonsense, because that's exactly what it is, nonsense. Also don't listen to the haters who rate this movie a 1/10 or call it shit because those people should not be reviewing anything to begin with. It is a decent movie, with great visuals and a theme that might get you thinking for a couple of days after seeing it. The acting is decent, with an above average performance from Scarlett and a good soundtrack that might hit the right spot on occasion. The only bad aspects, like I mentioned, are the film's rather short running time and weak dialogue/writing which hold it back from being truly great. I know I wasn't supposed to love it but I accidentally did.
_Final rating:★★★½ - I strongly recommend you make the time._ I boned up on this movie by watching the 1995 version and Stand Alone Complex for a bit, loved the repartée from Major Kusanagi and her crew and hoped it would translate to the big screen. The movie succeeds in displaying the setting and overall feel of the area. Everything is a grainy, low-tech with abundant neon and cyber-solidified humans. Sadly, the script is a bit of a mess. Kusanagi becomes Major Mira Killian (you'll see why toward the end the film) and Scarlett Johhansson, generally a quite credible actress, is sort of wasted here.
We do not get a lot of character development for her or her crewmates. There aren't a lot of quirky, funny moments as there are in the animated versions. Worse still, a lot of the teaser from the movie are just absent here, and one feels cheated. Overall this is a fine bit of popcorn absorption but fails to live up the series's standards and fails to give any of the actors much to work with. See it on a rainy day, if nothing else.
3.5/5 I was unable to make it to the theaters for this one due to traveling for work those first two weeks. And then it was gone; couldn't find it in any theaters. I'm sure glad I didn't waste my money for that and only spent $1.62 to rent it from RedBox. The trailer didn't show much, which is good. I hate trailers that give away everything about a movie. So, a hot girl is always good... And it had the teaser nudity that isn't real but is a suit - I'll let you be the judge of that. The rest is the same old overused nonsense from all other science fiction movies: A lot of fighting, shooting, explosions and destruction - way too much of that... but just about all sci-fi and superhero movies these days only contain that. The first hour was incredibly boring. After about 70 minutes, it got just slightly interesting and then all the fighting/shooting/destruction began. There is nothing interesting about that - we've all see that hundreds of times. It's ridiculous. Why can't any of these shooters hit anything? We still have that. It isn't interesting to watch. Thousands of rounds flying and everyone missing their target. With all this high tech stuff, why don't they have more advanced weapons? I have to say, I was in Arizona earlier this year and fired a handgun for the very first time. It was a 6-shooter, a Colt "Peacemaker", you know the pistol of the "West". You don't "AIM" those, you lift them to just above waist high, look at your target & not the gun, and pull the trigger. After just a few shots, it starts to become very natural. Any sane person can hit a target the size of a person at least somewhere on their body, even if they are moving. 24 rounds: I had 24 hits & 0 misses at various distances. But the people in these movies can't hit anything even when they do aim and with much better weapons. And then you have Major, her manufactured body can stretch & tear, wires breaking, and it can still function? Uh, NO, it wouldn't. That's not how mechanics and electronics work. The City: a ridiculous "Blade Runner"/"Fifth Element" type of city but with fish floating around. No, not interesting at all. Just very silly. Oh, one petty but very annoying thing: They can build an entire body and install a human brain in it and get everything to work but they can only give her a ragged, jagged wig or haircut? That's very weird. Her crooked bangs were a distraction in every scene that included her facing the viewer.
In Summary: This movie has a lot of awesome CGI with a ridiculous plot and horrible acting. Great CGI alone doesn't make a great, or even a good, movie. This catastrophe is a perfect example of that. This is an okay movie but that is about it. The blurb sounded quite interesting and the trailers were promising even though I always take trailers with a huge pinch of salt. I have never read the original Manga. Whether that is good or bad with respect to the movie I do not know.
The good stuff as far as this movie is concerned is, not surprisingly, the visuals. I would not say that they are stunning but the are quite good. The environments are interesting and the special effects are not bad at all. I have to say that the tank design was pretty poor though. Not very exiting as a fictional design and utter nonsense from a functional point of view.
This is as far as the good stuff goes. The story is okay but it is pretty predictable and not that much to get exited about. It could have been more developed for sure. I would actually have liked to see the Major do a few more missions beating up the bad guys. That was where the movie shined a bit and showed the best visuals and special effects.
The acting is pretty mediocre to be honest. Even Daisuke Aramaki, which was a character that I did like, felt rather bland. The main bad guy was just a uninspiring thug.
To me the movie more or less felt like the pilote episode of a TV-show with a huge budget for visuals. It was not WOW god but showed promise and I felt like I would like to see more “episodes”. The fact that it is actually a movie and it seems unlikely that a sequel, even though the ending makes it pretty clear that they hoped there would be one, will be made left me with a unsatisfied feeling.
Bottom line, average movie with enjoyable visuals and special effects but one which do not manage to reach above the “just another sci-fi manga movie” segment for me. **Too late to come out to impress its fans!**
It was not my most anticipated film of the year. Like usual for any film, I just wanted to see it and enjoy it. The film was fine, but that does not mean so good. From the visuals to the performances, it sounded great. But the story wasn't. When the original concept was created nearly 30 years back, it fascinated people for being something new and powerful. But for the current world, for the current generation, it is just an ordinary sci-fi. All I say is it just came out at least 15 years late. So the 90s kids would have loved it!
The storyline was nothing, but a self-discovery of a half human, half machine. This has been the plot of hundreds of robot films. But it's just differently told. One of only kind, a human brain was saved after the severe accident and given an artificial body. Now she's known as Major fights the crime. But some day later, she's haunted by glitches in her vision which directly connected to her past that she does not remember. The rest of the film was finding the truth and other consequences, before it all ends.
Visual effects were the only advantage for this film to come out in the present era. The rest of the film was simply okayish. I don't know what the original source fans say about it, but it is a one time watchable film. Otherwise, there are plenty of similar good films, like this is nothing much different than 'Robocop'. Or the recent TV series 'Westworld'. Scarlett Johansson could become a reason for some people to peek into it. The writing and direction were average. Watch and forget kind of film.
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This type of movie is always rather divisive between critics and audiences simply due to its nature. Story-wise, it's never groundbreaking or innovative in any shape or form. These apocalyptic films always follow a formulaic screenplay, packed with logical inconsistencies, but also with tons of thrilling action. Visuals vary in quality depending on the studio, as well as sound design and other technical aspects. I always try my best to accept *everything* these movies throw irrationally at the viewer. I prepare myself to be as open-minded as I can, and usually, I have no issues with that (actually, I find the "that's not how science works" argument a bit nitpicky in this subgenre).
However, Greenland fails to deliver the only thing I did expect from it: a planet-killer comet of pure popcorn entertainment. The only positive aspects are the cast and two/three sequences genuinely exciting. Gerard Butler is already used to this sort of film (Has Fallen series, Geostorm), so he has no problems in portraying another thin character with no real motivations or depth. Same goes for Morena Baccarin, who simply plays the wife of Butler. Both deliver good performances, enough to keep me engaged until the end of the flick.
The few good sequences are really good. Little scraps of the giant comet hit Earth before the extinction-level event, and these look great. Nevertheless, just this for a 119-minute runtime is far from being satisfying. As expected, Chris Sparling's screenplay is as generic as it could be, just like Ric Roman Waugh's direction, which doesn't really offer anything remotely new. Some narrative decisions (not related to science or technology because these I just accepted as part of the usual illogical stuff) are definitely to pass the time since they have no consequences whatsoever. Greenland is precisely like dozens of other movies in the subgenre, but without the technical aspects that end up elevating the overall picture.
The VFX look dated in some sequences, almost like they didn't have enough time (or money) to finish them. I mean, a static image of a meteorite shower as the sky? Really? Sadly, this comes across as amateur and lazy. The absence of a powerful score (David Buckley) makes the action scenes feel "empty", like something is missing. A few fighting moments are pretty much impossible to see clearly due to the overly dark environment and choppy editing (Gabriel Fleming). Overall, the action walks the line between decent and terrible.
However, the most significant "slap in the face" is the planet-killer comet that everyone is going to look forward to as soon as they enter the theater. There's no way of working around this: if an entire film builds up a third act's massive comet of the side of Europe, it must show it hit the ground in all of its splendor. The gigantic explosion of ridiculous proportions, the endless smoke that fills up the whole atmosphere, the distinctive sound of the impact... This is the moment that can make or break any apocalyptic movie. Unfortunately, and I'm only going to write this, it broke.
In the end, Greenland is predictably underwhelming, packing only a couple of genuinely exciting sequences, and a decent cast. Gerard Butler and Morena Baccarin try, but they're not enough to compensate for everything else. As expected, Chris Sparling's formulaic screenplay doesn't add a unique storyline or innovative aspect to the genre, as well as Ric Roman Waugh's basic direction. This would all be fine if the action delivered what most people want to see, but sadly, this component is also quite a letdown. Despite a few occasional, riveting scenes, the entertainment levels are pretty low due to the unimpressive visual effects, lack of a powerful score, and poor editing, culminating in a "viewing-killer" disappointment. If you absolutely love apocalyptic films, maybe you'll find something enjoyable about it that I didn't. However, if this type of movie doesn't suit your preferences, then this one surely isn't going to convert you.
Rating: D+ Briskly paced and littered with jagged, realistic edges though it is, 'Greenland' ultimately imagines a very sentimental planetary extinction. Perhaps the highest compliment I can pay this film is that it's far better than the annual paint-by-numbers Gerard Butler movie that humanity is used to receiving. - Jake Watt
Read Jake's full article... https://www.maketheswitch.com.au/article/review-greenland-a-gerard-butler-flick-that-isnt-a-disaster
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If you've been following me for a while, you know I'm not the biggest fan of rom-coms. It's not that I don't like the genre (I appreciate and enjoy every single one), but I find its movies tremendously difficult to *really* love. The massive majority follow the genre's formulas and cliches to such an extent that I rarely end up truly loving one of these films. Some are way too cheesy. Others are way too unrealistic and dream-like. But the aspect that throws me off the most is the lack of originality. I can't remember the last rom-com I watched that didn't borrow from countless other installments. I didn't know a thing about Palm Springs: no trailers, no knowledge of critics/audience's opinion, nothing... And I'm extremely happy about that!
I usually watch the main trailer for every film I review *after* I've seen the actual movie. I ignore all other trailers, clips, images, and so on. I do this so I can have some sort of knowledge regarding how far I can take my spoiler-free reviews. This way, I'm sure that I don't write about something I shouldn't. The official trailer for this film doesn't ruin the experience in any way, but it does tell its viewers the most relevant aspect of its screenplay. So, I could address it in this review, but I won't... because I enjoyed this movie a lot more, not knowing a thing about it than if I knew how it developed its story.
Therefore, I'll keep it really vague, and just write that Andy Siara's first feature-film screenplay can easily snatch a couple of nominations when the awards season comes around. This is a rom-com like no other due to its refreshingly unique concept. It's true that it's not an entirely new method of storytelling. Many other movies also employ this idea, but Siara holds so many surprises within his narrative and so few of the genre's common traits that the whole film is elevated by his outstanding writing.
It's one of the most entertaining movies of the year. With a short runtime and a fast pace, Palm Springs is constantly being genuinely fun, engaging, and even mysteriously intriguing. Its original plot makes the viewer think and remember previous lines that take a whole different meaning a few minutes later. There are no predictably dumb narrative decisions, and its characters escape the cheesy and forced relationships that these films usually insert them in. The dialogues are hilariously captivating. Almost every single plot point packs an emotional punch, a jaw-dropping revelation that never crossed the viewer's mind.
Andy Samberg and Cristin Milioti share such great chemistry. Their characters are exceptionally developed, and their relationship feels incredibly real. I'm rarely that viewer who requires the main characters to be together, kiss, fall in love, and all that, but Nyles and Sarah are two wonderful protagonists I can definitely root for. Both carry an interesting "baggage", which is also explored at a deep level. They deal very differently with the "situation" that the story puts them in, and it's so much fun to watch them go through it and evolve as characters. Oh, and J.K. Simmons (Roy)... this man doesn't know how not to be utterly remarkable!
Max Barbakow (directorial debut) demonstrates his talents as well, by allowing Siara's screenplay to shine under impeccable direction. Tonally, it never loses its balance. It keeps its comedy pretty grounded, considering the craziness of its premise. It never relies on the genre's formulas, cliches, and cheesy outcomes. It really separates itself from the majority of modern rom-coms. I don't really have any flaws to point out... The ending does have a "just accept it" narrative component, and there are a couple of unnecessary scenes, but I'm nitpicking here.
I can't believe I'm going to write this, but Palm Springs is not only one of the best rom-coms I've ever seen, but it's also one of the best (if not *the* best) movies of 2020, so far. With the help of their first-time director (Max Barbakow), Andy Samberg and Cristin Milioti spread their extraordinary chemistry all over the innovative, original narrative, written by the also debutant, Andy Siara. The latter is undoubtedly the main responsible for such an entertaining film. Siara takes an imaginative concept and develops it in the most captivating, fun, hilarious, and even intriguing way possible. A surprising screenplay packed with emotionally impactful plot points, revelations, and twists that keep the enjoyment levels extremely high. The two protagonists are exceptionally developed, as well as their compelling relationship. With a fast pace and a perfect balance of its tone, Palm Springs sets itself apart from the other movies of the genre, staying away from all of the cliches, formulas, and stereotypes associated with it. J.K. Simmons also lends his awesomeness because why not? Whether you're a fan of rom-coms or not, I definitely suggest giving this one a look. You won't be disappointed!
Rating: A If you're looking for a wholesome heartwarming movie, This is the movie you're looking for. Great watch, will watch again, and can recommend, especially for fans of "time shifting" tropes.
Time shifting is where your mind goes back in time, but not your body. Essentially everything resets like a save point, except your have all this knowledge.
"Time shifting" was made popular by "Groundhog's Day" and there have been several movies that mainly consist of dying / sleeping and repeating like a video game, and this isn't THAT different with a few exceptions that make all the difference in the experience.
Andy Samberg (Brooklyn Nine-Nine) finally steps up and shows everyone that he can do a somewhat serious role, and not just a straight man. Cristin Milioti (How I Met Your Mother) does an excellent job in her lead role, with a great supporting cast, to include J.K. Simmons (Cave Johnson) leading a wonderful supporting cast, except for Tyler Hoechlin (CW Superman: "Supergirl", "Flash", etc.), who I might just not like because he was Superman, but it's supposed to be an disliked character...so....good job?
The medium of the transfer being shown is an interesting option as we saw in the "Happy Death Day" movies, but it does allow for a reasoning of how it works, can it be broken / manipulated as opposed to divine will. Most importantly, it allows for more than just one subject being affected, which is really where it gets set apart.
The trope bleeds a little when you have multiple people trapped in the loop: you have multiple people trapped in a thing: you have multiple people trapped in a prison. When multiple people are trapped in a environment together, they tend to get a little strange, and we get that sort of thing a plenty. Because we have multiple story threads to follow, we're almost seeing 3 stories all overlapping, and the movie does a great job of showing those, whether or not their in chronological order, or happening at the same time.
Whether you see it as a prison break movie, or a time loop movie, this movie has a lot of fun in it, along with deep metaphysical philosophy, so there is something for everyone. This is a reimagining of Groundhog Day, but I think it stands pretty well on its own merits. Groundhog Day did not attempt to explain what was going on, but in Palm Springs, some talk of physics and what might happen if they tried - well, never mind. Who am I to give anything away?
The plot is more complicated than it seemed, and that is a good thing. There is humor, of course, and good chemistry between the two leads, I thought. There was enough difference between each of the replays of the day that it didn’t feel like, her pe we go again with 90% of the same stuff happening with a slight change thrown in.
So it was an entertaining movie overall. It isn’t one that I will watch multiple times, but if the opportunity arises to watch it again, say with someone who hasn’t seen it, I wouldn’t hesitate. We all love to spoil movies for people by telling them what is coming up! (Just kidding. I don’t like it when it is done to me, so I just sit and let them experience it the same way I did.) The multi-genre “Palm Springs” is an oddball, sci-fi rom-com about loneliness and love, a thoughtful story of existential consternation with a sharp-witted joke library. The film, written by Andy Siara and directed by Max Barbakow, is a weird hipster version of “Groundhog Day,” with a story about two semi-dorks stuck in an infinite loop where they must relive the same sunrise to sunset over and over again.
November 9th is the perfect date for a Palm Springs destination wedding, and Sarah (Cristin Milioti) is there for her younger sister’s big day. The elder sibling has a real chip on her shoulder, reluctant to serve as the maid of honor and not a big fan of formal events. At the reception, she meets Nyles (Andy Samberg), a carefree dude who is trapped with his shallow, cheating, bridesmaid girlfriend Misty (Meredith Hagner).
Sarah and Nyles hit it off with their shared offbeat sense of humor, and the duo sneak off into the desert for a late-night rendezvous. Something really, really weird interrupts their plans, turning the two into a powerhouse of cynical anarchy when they discover they’re able to endlessly reprise that day.
It’s a fun idea that’s given a refresh with smart-aleck humor from Milioti and Samberg. They’re a charismatic pair, even if they’re not the easiest couple to root for. The film has a jaded, “too cool for school” angle that may turn off some viewers, but it tries to remain lighthearted. An all-too-brief supporting turn from J.K. Simmons adds a bizarre but unexpectedly touching side plot, lending a lot of heart to the story.
As is the case with many films that premiere at Sundance, “Palm Springs” doesn’t come close to living up to the initial film festival audience reaction. The dark comedy is entertaining, but it’s not as funny as it could be, and it’s not as clever as it wishes it was.
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Logan synopsis Logan the movie 2017 showtimes complete download uhd online uhd Logan song, Watch Logan full movie online now.In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.,what are Logan movies in order Logan synopsis full movie Logan 2017 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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Title : Logan Logan genre : Action, Drama, Science Fiction Logan crew : James Mangold, James Mangold, James Mangold, James Mangold, Phedon Papamichael, Michael McCusker, Lisa Beach, Sarah Katzman, John Mathieson, Scott Frank Logan release date : 11 January 19 2 8 Logan runtime : 137 Minutes Logan Crew : James Mangold, James Mangold, James Mangold, James Mangold, Phedon Papamichael, Michael McCusker, Lisa Beach, Sarah Katzman, John Mathieson, Scott Frank Logan cast : Hugh Jackman, Dafne Keen, Patrick Stewart, Elizabeth Rodriguez, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Stephen Dunlevy, Eriq La Salle, Elise Neal ========================ஜ۩۞۩ஜ==========================
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In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces. Logan 2017 review : **LOGAN REVIEW: THE WOLVERINE GETS A SUPER SEND-OFF**
"Owing to its agitated hero’s misfortunes through the ages, this is a film that’s acutely aware of the dangers of emotional exploitation, and it spares its audience a similar fate. With Logan, Mangold and co-writer Scott Frank tell the definitive story of the Wolverine, in an involving and deeply satisfying series finale. It shows the fate of mutants when age starts to weary them, with stakes that feel real, and empathy that’s earned."
READ THE FULL REVIEW AT SBS MOVIES: http://www.sbs.com.au/movies/review/logan-review-wolverine-gets-super-send There may be some fine performances in this movie, but I honestly think the critics overrated this latest entry in the X-Men saga. The performances of Wolverine and Prof. X by Hugh Jackman and Patrick Stewart are extraordinary. They create a believable and loving father-son bond between their characters, with Logan caring for the ninety year old leader of the X-Men after a horrible event occurs at the Xavier school the year before. Stephen Merchant takes over the role of Caliban from Tómas Lemarquis, who played the character in X-Men Apocalypse, and transforms him into an ally to Logan and Charlies. Merchant is quite good in the role. But what really dragged down the movie is its nihilism. The other X-Men are completely missing from the film and mutants have been wiped out almost completely. A sense of doom and hopelessness looms over the film. This movie completely upends the warm and hopeful epilogue of Days of Future Past, where the X-Men were restored to life and glory and mutants weren't extinct after all. Death seems to stalk Logan and Charles wherever they go. There is also a conspicuous lack of significant female characters in this movie, too. The only female of note is Laura/ X-23, and she spends most of the film mute. There is also a complete lack of any strong or memorable villains. No one ever reaches the level of greatness like other X-Men villains such as Magneto or William Stryker. So, despite some good performances, this film is a bit overrated and also a little too bleak and depressing for my taste. One of the best and most mature Marvel movies to date.
The first half of this movie is a huge delight and a huge thrill. Hugh Jackman and Patrick Stewart are so entertaining to watch as characters they've known for 17 years. They've taken their characters a step further here in a script that allows them to explore themselves emotionally more than ever before. This movie is strictly part-drama. Yes, that's right. Finally, a Marvel superhero movie you can confidently stamp the drama genre tag on.
The effects, stunts and gore are really quite shocking. You can really feel the weight of each character's immense power, and more importantly, the struggles that come along with them. This further fleshes out each character.
The movie starts to lose the enjoyability of its ensemble halfway through, and what happens after is what you might expect from a typical X-Men film. Action, sci-fi and more action/sci-fi. The villains are as interesting as they can be I suppose. They lack much development but are there to fuel the real story. Anyway, I can't say much else without spoiling the plot. I'll just say that I wish the movie would have taken a different direction. If you don't like superhero movies, this is the superhero movie for you. And if you do like superhero movies? Watch _Logan_ anyway. It's bloody brilliant.
_Final rating:★★★★ - An all round good movie with a little something extra._ **** This review may contain spoilers ****
We finally get the Wolverine we have been asking for, for the past 15 years and it's his last time. Well, I guess he couldn't have ended it in any better way as a last farewell to the fans and his signature role. Not only that but it looks like this one blows all the other superhero movies out of the water. **A farewell and a welcome!**
A perfect farewell to the only mutant who had solo films in 'X-Men' franchise. I never understood 'X-Men', I thought it was the worst superhero film series I've ever seen. But 'Wolverine' was the only reason I watched them all and particular, Hugh Jackman. There won't be Logan now onwards, though a set of new generation welcomed in this film, while saying goodbye to the old guys. So now what happens in the future of this franchise is a very suspense. Yet Logan had been the precious gem in the crown of 'X-Men', that mean it won't be the same anymore.
After many years passed in the future, the last survivours of mutants hiding their identity and living among the humans. Logan and two others were attacked by the armed men when he decided to help a child mutant. Running away from them and looking for a place where they can be safe prioritised in the narration. More dramatised film in the franchise, but there are enough actions those who desire for that.
It's an emotional time for the hardcore fans of Logan/Hugh Jachman. One final great performance by him and the little kid was also good. A well shot film, with minimum graphics and more realistic stunt sequences. Well, not all were real, too strong fights, too bloody, despite having a child actor in it. Yeah, it is a good film, I liked it, but not a masterpiece as you might have heard of. But anyway, it is a must see for the 'Wolverine' fans.
_7/10_ I believe that I am about to disagree with quite a few people now. You see, I did not like this movie.
Not that this came as much of a surprise to me. What I got was pretty much what I expected. From a technical point of view the movie is quite well done. Hugh Jackman and Patrick Stewart are doing good jobs as always. The action scenes are good. The cinematography is not at all bad. If you are into tragic drama and do not mind the super hero twist of the movie then this is a movie for you. The technical qualities is why this movie gets any stars at all from me. If I would judge it by story only then it would have gotten zero, null, nada, nicths, rien, ingenting.
For me it was depressing, boring and not at all fun to watch. The only reason I watched it is because I, as a X-Men fan, simply had to watch it as well as having it in my collection but I would have been happier it this movie had never been made.
Wolverine is more or less an unpleasant drinking bum clad in filthy ragged clothes. Professor X is half insane and apparently dangerous to himself and the people around him. We get absolutely no explanation as to how this sad state of affairs.
The entire movie is dark in spirit with the X-Men all but died out and Wolverine and Professor X just waiting to die. Then in comes this female child who later turns out to be a female version of Wolverine. She pretty much lacks any form of charisma and she and Wolverine spends almost the entire time in a state of conflict, much due to Wolverine who seems to think everyone should go fuck themselves so that he can continue to self destruct.
The bad guys are the usual evil corporation doing experiments on X-Men, genetics etc. Supposedly they were behind the almost extermination of X-Men but of course they keep their own little army of “enhanced” humans that doggedly harasses Wolverine & Co. There are some nice action sequences but there is really no good overall boss. No one with enough Charisma to take the role of the main adversary unless you count X-24 who only took part in a few parts of the movie.
By the way, why the fuck do Wolverine, Laura as well as X-24 have to grunt like horny monkeys when they fight?
The story is rather predictable with no major surprises, little depth and low on logic. A typical Hollywood drama. Not really anything to write home about.
The movie is just so depressing from start to finish. As a last farewell to Wolverine and Professor X it is almost insulting. I know a lot of people seem to like it but I cannot understand why. At least not if you are a X-Men fan. The Last Cut Is The Deepest!
Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is.
James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong.
Logan's Run!
Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart.
Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps.
One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10
