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The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941. Pearl Harbor 2001 review :
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An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry. Hitman: Agent 47 2015 review : > A complete action pack, with not so popular actors.
This is the second version, or we could say the reboot after the 2007 film did not receive well. This should have been a franchisee with at least 3-4 films by now. It's very clear that something is not working out for it. As for this film, there are several issues. But fairly did at the box office, which is poor for an action film like this. From the director who had never worked on any project before and the writers with good experiences.
The money was well spent, the production quality was so good, then what is the trouble? Well, my first point out is the casting. Preferably someone top star who can pull the crowd into the cinema halls. Perhaps Jason Statham would have been a better choice, after Paul Walter's death who was suppose to play the lead. I'm not denying, but Rupert Friend was very good in the replace. But my point is there's no star value in this project, especially for the foreign markets, these lead stars are the strangers.
The other drawbacks are, this film rated R, which is utterly pointless. Because there are no kisses, no sexy outfits, or drugs consumption, but only violence and gore which are mostly CGI works. Could you believe what the films are turned out to be nowadays. LOL. Though, I enjoyed the action sequences, so I can't thumb down and it does not enough to me to thumb up as well. Decent story with a speedy narration. Definitely an average film. Never seen Singapore better than in this film before. You could watch it for the time-pass and for the stunts, or in a situation when there are no other options available.
6/10 I know, I know, this movie is rather superficial and simple. More effort has been spent on cool action than on depth of the story. Well, you know what? I do not care! I quite liked this movie. Agent 47 is cool and kicks ass. The bad guys gets plenty of ass whooping. The action is good. There is quite a lot of high tech and gadgets. What is there not to like?
The movie starts of with a quite cool sequence introducing Agent 47. I have to say that I got into quite a bit of “wow” mode right a way there. The movie continues with plenty of action sequences with just a wee bit of slowdown in between. Actually the first-half, at least, of the movie is pretty much one long chase.
Perhaps I should point out that I have not played Hitman and do not really know what the original story is about. From a lot of the comments I have read it appears That this might be to my advantage when it comes to enjoying the movie.
Some people are probably complaining about bad acting since Agent 47 do not really show much in terms of facial expressions or emotions. Well, news for you, he is not supposed to! He is supposed to be a cold emotionless killing machine so stop whining. Personally I found Agent 47 to be an excellent character. the re is on scene in particular that I liked where Agent 47 intentionally allows himself to be caught in a embassy. Once inside he, to no one in the audience surprise starts to tear the place apart. You have to see it to know what I mean.
The second part, or perhaps just the last third, of the movie turns into more of a search and destroy for Agent 47 and his new “partner”. this part is of course as action filled as the first part of the movie. Naturally it all leads to a big show down between the Agent 47 & Co. The end itself did not really deliver any surprises but was satisfying.
The one thing in the movie that annoyed me was this subdermal armor stuff. The idea was not a too bad one but they really overplayed it. Come on! Just shoot him in the head or an eye or some other “sensitive” part for Christ sake. Bulletproof my arse!
I honestly do not understand the low rating this movie has received. 5.7 at IMDb is really a bit harsh. Rotten Tomatoes rating is, not very surprisingly, abysmal. Rotten Tomatoes and their “critics” ratings must be the worst of any ratings site. When these dickwads rate down a movie, that’s when I start to get interested. First step is to drill down into the real audience ratings which more often that not gives a different picture.
Any way I digress. Bottom line is that, for me, this is a simple, straightforward, high octane action movie and I quite enjoyed it.
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Successful author Veronica finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it's too late. Antebellum 2020 review : _The past is never dead. It's not even past._
The movie did an excellent job with the twist and reveal.
That said, the movie overall could've been better. The tone of race and discrimination is handled well. The story could've gone a supernatural way with how it was done. Though I'm not hating this psychological thriller route they took.
Mixed reactions and reviews are a given for this movie. Bottom line is seeing this movie for yourself. Personally, I enjoyed it but not enough to overlook the faults in the film. The movie took something and tried to make it work. It wasn't great but it wasn't bad. As someone who has been enjoying the renewed focus on black horror and the rise in storytelling from unique perspectives kickstarted by 'Get Out', it makes my heart sink to see something like 'Antebellum' stumble into cinemas. My fear is that if there are enough negative appraisals of the genre and the discourse shrinks, the film industry will just stop producing socially conscious horror movies, point-blank. The biggest sin that 'Antebellum' commits is that the filmmakers took one of the most horrific periods of American history and, via exceedingly clumsy execution, unintentionally made it into a joke. - Jake Watt
Read Jake's full article... https://www.maketheswitch.com.au/article/review-antebellum-socially-conscious-horror-without-any-finesse-or-cleverness If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com
Some media outlets are providing a spoiler-ish synopsis that I believe the film should have omitted throughout its marketing campaign, including its own trailers. There's a central mystery that only begins almost midway through the runtime, and it plays out until the start of the third act, so you have my advice: stay away from its trailers and don't read too many synopses. Since I didn't know anything about it, I watched Antebellum with modest expectations, and most important of all, without any preconceived ideas or theories about its narrative structure.
However, I couldn't help but see the movie later than most people, and I have to admit: I'm slightly surprised that so many people deeply hate this film… It does have some issues, and I'll get to those, but overall, I believe the extreme White-on-Black violence is the main reason why so many viewers gave up on the movie. I'll start with this topic. It's indisputable that Gerard Bush and Christopher Renz (feature directorial debuts) deliver quite a shocking film, depicting racism and slavery in unpleasant yet realistic ways. This last part is precisely the seamless balance that every movie needs to have when dealing with these themes, and in my opinion, Bush and Renz didn't really nail it.
The brutal torture and death sequences that Black people suffer in this film are shown without any restraint. From massive amounts of blood to visible hits, it's one of those movies that carries so much realism that it becomes uncomfortable. If these scenes end up carrying a meaningful message or a compelling arc, it might be hard to watch, but it ultimately feels necessary and emotionally impactful. If they don't, then it just looks like violence for the sake of entertainment, which will always bother a lot of viewers depending on the type of violence on display. Bush and Renz risk the film's success walking this thin line, and overall, even though they're far from perfecting that balance, they didn't do a bad job, at all.
In fact, for a directorial debut, Antebellum is technically remarkable. Opening with an uncut, long opening sequence, where the camera shows the entire plantation, passing through the recent arrival of Janelle Monáe's character, and finishing in a horrendous slow-motion treatment of a desperate slave trying to escape. These six to eight minutes function like a disclaimer to the audience. If people feel way too disturbed by what they've just witnessed, then it's better to leave this one on the side, and forget about it.
Pedro Luque's cinematography feels definitely unique, and it never shies away from displaying what's happening, no matter how gruesome and terrible. The musical score from Nate Wonder and Roman Gianarthur, characterized by its dominant use of strings, elevates so many suspenseful moments. Honestly, it's pretty addictive to listen to. Great production value, as expected, costume and set design are fantastic… visually, I find nothing to complain about. Even judging the brutality solely on itself, if the purpose is to demonstrate how much slaves suffered back then, it's as faithful as it could be.
Story-wise, Bush and Renz need to improve their quality as screenwriters. Their premise is extremely convincing, the nonlinear narrative structure adds a neat mystery, and the story itself is incredibly intriguing. However, instead of reaching its undeniable potential and delivering a phenomenal, profound, well-developed screenplay, Antebellum ends up in a predictable manner, leaving tons of interesting storylines to explore. Even its climactic, action-heavy final minutes are underwhelming, and every problem is solved way too easily. It even gives the viewer the right to question why and how everything that happens in the movie could, in fact, occur for so long.
Nevertheless, it's far from being a trainwreck, much on the contrary. I was invested until the very end, almost every scene is captivating to the point of me staying completely still without taking my eyes off the screen. I didn't feel too uncomfortable with the display of violence, so my experience was smoother than most people, I'd assume. The excellent representation of Janelle Monáe's character's distinct lifestyles, in the plantation and in the city, is the best aspect of the entire film, clearly setting up a different color palette and tone. Monáe offers a powerful performance, carrying the whole movie on her shoulders, as the sole protagonist of an incredibly heavy story.
All in all, Antebellum is set to divide viewers due to its uncomfortable yet realistic, extreme violence. Gerard Bush and Christopher Renz deliver an undeniably shocking film, involving hard-to-watch depictions of torture, slavery, and racism. Technically, the camera work gives the whole movie a distinct style, as well as its score, costumes, and set design. Janelle Monáe demonstrates her acting abilities as the protagonist, delivering an emotionally captivating display. The nonlinear narrative structure elevates the central mystery, but the story doesn't receive the extensive treatment that its premise deserves. The enormous potential is wasted in meaningless, horrific deaths, just as in the third act's disappointing action sequences. While the White-on-Black violence is justified in the context of the film, its excessive, unrestrained display without a convincing message or arc surrounding it is definitely a negative aspect that some people won't be able to accept. I didn't feel bothered to that level, and I still believe the intent was benign, so I recommend this directorial debut from Bush and Renz, but with a disclaimer for the sensitive subject matter and/or viewers who struggle with depictions of intense violence.
Rating: B "Antebellum" is a tough movie to watch AND review. It's depiction of slavery is brutal, but the twist that brings it into genre territory is badly timed and ultimately disappointing. "Antebellum" is a tough movie to watch AND review. It's depiction of slavery is brutal, but the twist that brings it into genre territory is badly timed and ultimately disappointing.
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The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.
Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.
‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.
The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.
Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).
In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.
Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right? Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right? Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.
Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.
Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.
The Martian (2015)
20th Century Fox
2 hrs. 35 mins.
Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong
Directed by: Ridley Scott
MPAA Rating: PG-13
Genre: Science Fiction/Space Adventure/Science and Fantasy
Critic’s rating: *** 1/2 stars (out of 4 stars) This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.
The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.
Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.
A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!
There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.
If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.
Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.
As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more. This is a movie following the lead started with Gravity with the human main character fighting for survival in space.
The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.
It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment. This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.
However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted. Liked it. ***Realistic account of trying to survive on Mars while awaiting rescue***
In 2035 an astronaut (Matt Damon) gets stuck on Mars after he is presumed dead and his team departs without him. When NASA eventually finds out that he’s alive & well they have to find a way to save him. But can he survive for the next couple of years until they arrive? Jeff Daniels plays the director of NASA while Jessica Chastain plays the leader of the vessel. Sean Bean, Chiwetel Ejiofor and several other notables are on hand.
The only way for Ridley Scott’s "The Martian" (2015) to work is if it can convince you that Damon’s character is actually on Mars, which it does spectacularly and realistically (minus a few forced dramatics or stabs at humor here and there). If, like me, you’re fascinated by Mars or the potential of living on another planet in the real world, “The Martian” is a must.
It’s reminiscent of movies like “Armegeddon” (1998), “Mission to Mars” (2000), “Gravity” (2013) and “2001: A Space Odyssey” (1968), albeit without the fantastical elements of some of these. It even brings to mind the first acts of “Planet of the Apes” (1968) and “Beneath the Planet of the Apes” (1970).
The movie scores pretty well on the female front with Chastain, Mackenzie Davis, Kate Mara and Kristen Wiig. Davis looks good in tight pants.
The film runs 2 hours, 24 minutes.
GRADE: A-/B+ I feel like this science fiction movie was a stunning achievement, for at least a couple of reasons. Firstly, for much of the time it is a one man show, and that can be risky in a feature length film. It worked with acclaimed actors Tom Hanks in Cast Away, and with Robert Redford in All is Lost, but could it work with Matt Damon in a sci-fi flick? Well, I answer that question with a resounding ‘yes.’
The movie does cut away to planet Earth and the spaceship returning home without him, so it isn’t all Damon all the time. And some humor is injected here and there to offset the character’s grim situation. I liked the line where he referred to himself as the greatest biologist on the planet. As the only current resident on Mars at that time, he was also the worst biologist on the planet!
Another reason this film is remarkable is because there is a lot of science here, which drives the plot as he has to solve continuous problems that arise, not with brute strength or other physical,skills, but with his analytical mind. And yet the details don’t get tedious or overly technical. Oddly enough, it is not a movie I will watch multiple times, as I have lesser robust sci-fI entries such as Super 8 or Monsters, but I plan to watch it at least one more time, just out of appreciation for the solid job that was done in adapting what much must have been a very challenging story to film and have it be both entertaining and informative, both scientific and an amazing adventure.
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A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster. Spy 2015 review : > A redefined wonderful spy movie.
I know Melissa McCarthy since 'Gilmore Girls', but never thought she would rise this far, especially to dominate in a movie with the presence of the big names around her, that too in an action film equivalent to top quality. She's one of my favourite actresses, even I enjoyed thoroughly her under-appreciated 'Tammy'. So this is where the action stars become comedians and comedians action stars. Indeed, it worked out so well.
It shames comedy-spy flicks like 'The Pink Panther', 'Johnny English' etc. From the director of 'The Heat', helmed another perfect female oriented comedy. Jude Law was a decent as usual, but Jason Statham was unbelievably awesome in his tiny part. I had plenty of good laughs, the loud ones after a long time. I still remember the unicorn joke and I can't stop laughing. And roof over a bike, gadgets and so on... I find Melissa McCarthy's line deliverance are so funny and I enjoy her films specially for that reason.
I know they used a stunt double and blue/green screens in the crucial segments for a better result. But still she excelled in all stunt sequences that required physically herself in front of the camera. One of the trivia says, after the end of each day shooting, she looked like fell down an elevator shaft. Her hard work definitely paid off very well.
There are lots of adult oriented comedy, so strictly it is for grownups only and may be matured teens. I'll be definitely disappointed if they won't make a sequel for this. If they do, I hope they retain all the cast, especially Statham along the lead actress. And finally I'm looking forward the director-actress's the third collaboration, 'Ghostbusters'.
7½/10 These things are really, **really** not for me. I found a couple of laughs in Statham's role but beyond that _Spy_ did nothing for me. I know folks who do enjoy this, and other Feig/McCarthy films, but I genuinely do not understand the appeal, maybe Spy is better than the others, maybe not, but it did absolutely nothing to turn me around on these collabs.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ I have just got to say that I am a bit biased, simply because I love this movie. Jason Statham and Melissa McCarthy are awesome together in their roles, and even though Jude Law does a decent job as well, this movie is all about Melissa and Jason to me.
I find the language of the character of Jason Statham to be very ugly, but still, it is needed to make his character be in the way it is supposed to be. And to be honest, he is completely hilarious!
Melissa is something very similar, and she is perfect for her role as an analyst that has to work undercover, taking the place of all other agents whose identities have been revealed to the "enemy".
You will get lots of reasons to laugh throughout the movie, and it is incredibly easy to enjoy every second.
A little warning You should be warned though... if you like this kind of humor, it is awesome. But, if you like to eat lemon and feel angry when people behave in stupid ways in movies (like in Mr. Bean and in Dumb and Dumber), this is most likely not a movie for you!
But, if you like crazy humor, you should go ahead and watch this movie - it is pure gold!
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Title : The Martian The Martian genre : Drama, Adventure, Science Fiction The Martian crew : Dariusz Wolski, Ridley Scott, Ridley Scott, Janty Yates, Arthur Max, Pietro Scalia, Harry Gregson-Williams, Harry Gregson-Williams, Neil Corbould, Daniele Massaccesi The Martian release date : 12 December 19 7 1 The Martian runtime : 144 Minutes The Martian Crew : Dariusz Wolski, Ridley Scott, Ridley Scott, Janty Yates, Arthur Max, Pietro Scalia, Harry Gregson-Williams, Harry Gregson-Williams, Neil Corbould, Daniele Massaccesi The Martian movie cast : Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Peña, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor ========================ஜ۩۞۩ஜ==========================
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During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. The Martian 2015 review : 'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.
The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.
Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.
‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.
The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.
Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).
In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.
Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right? Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right? Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.
Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.
Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.
The Martian (2015)
20th Century Fox
2 hrs. 35 mins.
Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong
Directed by: Ridley Scott
MPAA Rating: PG-13
Genre: Science Fiction/Space Adventure/Science and Fantasy
Critic’s rating: *** 1/2 stars (out of 4 stars) This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.
The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.
Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.
A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!
There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.
If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.
Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.
As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more. This is a movie following the lead started with Gravity with the human main character fighting for survival in space.
The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.
It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment. This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.
However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted. Liked it. ***Realistic account of trying to survive on Mars while awaiting rescue***
In 2035 an astronaut (Matt Damon) gets stuck on Mars after he is presumed dead and his team departs without him. When NASA eventually finds out that he’s alive & well they have to find a way to save him. But can he survive for the next couple of years until they arrive? Jeff Daniels plays the director of NASA while Jessica Chastain plays the leader of the vessel. Sean Bean, Chiwetel Ejiofor and several other notables are on hand.
The only way for Ridley Scott’s "The Martian" (2015) to work is if it can convince you that Damon’s character is actually on Mars, which it does spectacularly and realistically (minus a few forced dramatics or stabs at humor here and there). If, like me, you’re fascinated by Mars or the potential of living on another planet in the real world, “The Martian” is a must.
It’s reminiscent of movies like “Armegeddon” (1998), “Mission to Mars” (2000), “Gravity” (2013) and “2001: A Space Odyssey” (1968), albeit without the fantastical elements of some of these. It even brings to mind the first acts of “Planet of the Apes” (1968) and “Beneath the Planet of the Apes” (1970).
The movie scores pretty well on the female front with Chastain, Mackenzie Davis, Kate Mara and Kristen Wiig. Davis looks good in tight pants.
The film runs 2 hours, 24 minutes.
GRADE: A-/B+ I feel like this science fiction movie was a stunning achievement, for at least a couple of reasons. Firstly, for much of the time it is a one man show, and that can be risky in a feature length film. It worked with acclaimed actors Tom Hanks in Cast Away, and with Robert Redford in All is Lost, but could it work with Matt Damon in a sci-fi flick? Well, I answer that question with a resounding ‘yes.’
The movie does cut away to planet Earth and the spaceship returning home without him, so it isn’t all Damon all the time. And some humor is injected here and there to offset the character’s grim situation. I liked the line where he referred to himself as the greatest biologist on the planet. As the only current resident on Mars at that time, he was also the worst biologist on the planet!
Another reason this film is remarkable is because there is a lot of science here, which drives the plot as he has to solve continuous problems that arise, not with brute strength or other physical,skills, but with his analytical mind. And yet the details don’t get tedious or overly technical. Oddly enough, it is not a movie I will watch multiple times, as I have lesser robust sci-fI entries such as Super 8 or Monsters, but I plan to watch it at least one more time, just out of appreciation for the solid job that was done in adapting what much must have been a very challenging story to film and have it be both entertaining and informative, both scientific and an amazing adventure.
